MADSMDE377480 (quote this reference in any e-mails, letters, faxes or phone calls to help identify this item)Ġ0s Artists, 80's Pop, 90's Pop, Female Solo, POPĪccidental Potato Chip, Austin Powers, Blonde Ambition, Donna DeLory, Funk Freaks Vs MH, Guy Ritchie, Jellybean, Jose & Luis, Mad Donna, Mad House, MC Miker G & Deejay Sven, Me'Shell Ndegeocello, Mirage, Mirwais, Nick Kamen, Nick Scotti, Niki Haris, Out Of Your Mouth, PreMadonna, Rollergirl, Taxi Girl, Who's That Girl!Ĭomplete Stock to contact our sales team.Ĭall 01474 815010 quoting EIL.COM reference number MADSMDE377480 Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description. Madonna (click here for complete listing)ĭeeper And Deeper (click here for more of the same title)Īdd item to your basket for a postage/shipping quote Sold Out - 'Request Next' to get an email if it comes back into stock. Irrespective of the source, all of our collectables meet our strict grading and are 100% guaranteed. We buy items as close to Mint condition as possible and many will be unplayed and as close to new as you could hope to find. This item is in Excellent condition or better (unless it says otherwise in the above description). That doesn't mean I think it's ruining her legacy or whatever.Madonna Her Complete Story - An Unauthorized Biography UK book While Vulgar is not for me, I don't have a problem with it existing at all and these collabs are a good strategy. Vulgar is a lot more wooden than the typical Charli track. Somebody compared it to Shake It, which is not my favorite Charli song but Vulgar doesn't really have the sonic playfulness and variety of a Charli trash bop like Shake It or Delicious or I Got It. And like I said, I think Charli would have more fun with it in terms of the production. But it might also be true because frankly Charli inhabits just for fun bops better than Madonna typically does. Earlier in the thread there was a comment about how people would be more into Vulgar if Charli was on it and that might be true. People tend to prefer her deeper side and I don't think there's anything wrong with that as long as said people don't try to encroach on her artistic agency. I think heavyish/thoughtful plays more to her strengths though and that was one reason Madame X was more well received critically than the three that came before it (and there clearly was just more effort put in). Just more attention to detail and language and less sloppy/simplistic thinking on the political songs.Ĭlick to expand.Yeah, it was. And I'm not saying it has to all be deep. She can do better and she has done better. Like I said, I thought there was a lot to like lyrically on Madame X and she can still turn a cool phrase when she wants to ("Platinum gold/Inside your soul") and Rebel Heart had some good lyrics when it wasn't busy being bottom of the barrel (for every Living For Love, there was unfortunately an Iconic) but this was the woman who wrote Spanish Eyes, Promise To Try, Sanctuary, etc (I really can go on). As much as I adore her, it's pretty obvious. Unfortunately, her lyricism has been a bit low effort after American Life. She's an inconsistent songwriter who sometimes puts in the effort lyrically and sometimes doesn't. She wouldn't be celebrated to the extent she is if that were true. Click to expand.Yeah, I just don't think Vulgar is particularly worth retconning Madonna's songwriting as always having been unsubtle and lacking of wit.
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